Showing posts with label Tradition. Show all posts
Showing posts with label Tradition. Show all posts

Monday, November 7, 2016

Book Review: #90: The Battle for Sanskrit: Is Sanskrit Political or Sacred, Oppressive or Liberating, Dead or Alive? By Rajiv Malhotra

Title: The Battle for Sanskrit: Is Sanskrit Political or Sacred, Oppressive or Liberating, Dead or Alive?
Author: Rajiv Malhotra
Publishers: Harper Collins India
Genre: Non-Fiction/Language & Linguistics
Pages: 488(Hardbound)
Source: Personal Copy

This is a must read book for every Indian who is a courtesan of Sanskrit. Rajiv Malhotra has established an authoritative argument in this book by enunciating the rejoinders and refutations in the most erudite way and confronted the western narrative of the language Sanskrit.

It has been proven time and again that, we Indians, have a propensity to consent the views of a western or white man whenever they come up with any works on India. We believe every word of their elucidation, as if, it is the most sought and well acknowledged work. It is a common trait, because, when a western mind has shown interest to study India or Indian culture, we believe that these people are appealed to our culture and practices. Well, the veracity is far-fetched.

This book “Battle of Sanskrit” discourses the very same dispute in a comprehensive manner. Apparently, this is a significant work for the many Indologist scholars that are doing their research on Sanskrit since several years. Atrocity literature is not a new phenomenon for our country. It has been an instrument for most of the westerners, politically leftists and communists to perpetrate the abhorrence towards some class of people. Here in this book, the author refers to those westerners that has worked relentlessly to tarnish the importance of Sanskrit and devalued the language as oppressive, politically incorrect, and dead.

The author exclusively engaged the works of Dr. Sheldon Pollock, a distinguished Indologist as he claims and did extensive research works on Sanskrit since many decades. The author has presented us to the terms called “Outsiders” vs “Insiders”. The readers must not take into consideration that an outsider means a non-Indian and insider means an Indian. The metaphor mentioned here is basically unpretentious, an insider is someone that believes Sanskrit as a language which is sacred, liberating and alive, and this person can be an Indian or a foreigner. Whereas, an outsider means someone that believes Sanskrit as political, oppressive and dead. Again, this outsider can be someone from India or a foreigner, plainly can be mentioned as Leftists, Communists.

As per the title of the book advocates, this book mainly debates on the prominence and germaneness of the language Sanskrit. Author has asked those questions in the title of the book itself.

Political or Sacred?

Oppressive or Liberating?

Dead or Alive?

As many western minds have premeditated the language Sanskrit and made a noteworthy contributions in their own way. Amongst them were Ingalls, William Jones, Sheldon Pollock and many such peoples. But what is most troublesome in their works is, their interpretation of the language as socially oppressive, barbaric and dead. Author Rajiv Malhotra has exclusively selected several works of Sheldon Pollock and tried to give a perfect counter narrative. As per Pollock, our Vedic scriptures, Puranas, Kavyas and Upanishads were mere works of common people and that too it all happened in the Buddhist era. He also argues that, the great Ramayana essentially illustrates the social oppression and encourages violence. Rajiv Malhotra has carefully analyzed these claims and provided a completely substantial retort on why Pollock is erroneous on so many levels.

The book gives us a rational perspective of seeing the things in a diverse way. It encourages the readers to adopt the Purva-paksha. It is a call by the author to reverse the gaze of the westerners and see the Sanskrit in a more Indian way than a western way. Author also emphasizes the point that, translating Sanskrit or regional text in to English is a risky affair. This is basically because, a western vulture would take up any significant work and hand picks the bits and pieces as it suits him and presents a version that is totally devoid of what the original critical Sanskrit edition was supposedly intended to achieve. Thus the ownership of the text passes from an Indian to a westerner just because it is in English and widely read!!

This book is not a rabble rousing of Grammar or literature. It is about the politicization of Sanskrit scholarship. It reveals and studies the production of knowledge and intellectual control mechanism in a globalized modern western world. It documents the vested interests of the American orientalists that are wielding control over the Sanskrit tradition from the helpless Indian pundits and thereby break the backbone of Hindu tradition. From the Pollock’s argument it seems clear enough that, Sanskrit is something Nazi. He argues that, Sanskrit in fact encouraged the Hitler of Germany to perform the Jew holocaust.

An additional frightening aspect that Malhotra expressed is that the funding that these authors are getting globally. Even the Indian billionaires that are well established globally is establishing the organizations that funds these western scholars to execute their works. One such example is the is wealthy Infosys industrialist Narayan Murthy’s gift of millions of dollars to Sheldon Pollock of Columbia University for overseeing the translation of 500 classics by US-based Sanskritists under the umbrella called “Murthy Classic Library”. If any learned Indian doesn’t educated these billionaires about their wrong doing, then it is imminent that, we will witness more atrocity literature in the coming days that would make any Indian self-loath.

Apart from donating millions to these western vultures, the spending of Hindu funds on non-Hindu interventions to do research work is unworthy and dangerous. Pollock’s approach to Sanskrit studies is what he calls “political philology”. His sole intention is to destabilize the foundation of the country that was built on. He sees Greek, Latin and Sanskrit under the same lens. He has consistently undervalued the spiritual dimension that Hindus associate with Sanskrit, and portrayed it as a language of oppression and barbaric. This is not out of malevolence, he deserves the benefit of the doubt regarding his motives (he has for instance deplored the decline of classical studies in India, leaving a void which he now steps in to fill).

Pollock’s political motive is clearly visible from his works. To add a cherry on the cake, Pollock actually expressed his dissent over Narendra Modi. He has signed various petitions asking several dignitaries, universities, associations for inviting Modi to certain events and inauguration functions questioning them to reconsider their decision citing the very same reason that many leftists and communists and pseudo-seculars in India have been doing since a decade and a half. His motive is clear from his behavior. Pollock not only wants any Indians to interfere in his so called claims of Sanskrit authority, but also, he doesn’t want any able India minds to challenge a counter narrative. Do we want that aversion for Hinduism to have control over the Sanskrit heritage?

Overall, a well-researched book. Rajiv Malhotra had given hope for the serious Indologist and Sanskritists to take a step back and observe what they are putting themselves into. He has taken a powerful stand on the self-respect of Hindu tradition. Every Hindu should and must join hands with him in facing these atrocity literature producers.

My Rating:
5/5

Tuesday, June 9, 2015

Book Review #68: Karma By Karanam Pavan Prasad

Title: Karma
Author: Karanam Pavan Prasad
Publishers: Conclave Media
Genre: General Fiction
Pages: 164 (Paperbound)
Source: Personal Copy


A first time debutant novelist, who took greater risk to write a novel on a subject like Death, Hindu Funeral Rituals and practices, etc… This novel is a blend of age old rituals, beliefs and traditions versus the modern cosmopolitan, scientific, questioning generation. This novel deals with a very taboo subject such as Hindu funeral practices, which is also called as KARMA, hence the title of the novel Karma. The book poses some serious questions, at the same time, gives its readers a sense of newly crafted novel. Not that, this kind of novel has ever come before, in fact, it has come at various stages and in various forms. But, the mixture of modern aspects like smartphones, IT, KFC, drinks, parties juxtaposed with that of traditions, practices, beliefs and other things is a new way.

The protagonist of this novel Surendra was responsible to carry out the last rites rituals of his father that just demised. Being working in a city as an upscale Engineer and married to an ultramodern woman Neha, he didn't seem to get adjusted to all those rituals, practices and traditions. He just toys around like a puppet listening to the head priest and following his younger brother in those rituals. During these proceedings, Surendra refuses to gets his head shaved, whereas, his brother Narahari agrees to it. (This is one of the rituals, where, the sons of the deceased person should get their head shaved in order to carry out this ritual, it’s called VAPANA). Day to day proceedings was making our protagonist lose his cool and made him act like a weirdo. He was always suspicion about his wife. He often gets these thoughts that; his wife is cheating on him with another man. This is strongly believed by him due to the past actions of his wife on numerous occasions before marriage. His wife had many partners just like him. However, his manly thoughts were not convinced to agree on such things.

The regular circumstances of those rituals have made him to come to terms with the traditions and he actually starts believing in everything. He often reaches out to head priest to understand the basics of the rituals which he finds occasionally funny. Sometimes, he indulges in serious conversations with the head priest and was asking any ritual practices so that he could father a child and so on. This kind of dilemma and regular taunts from his wife for being too orthodox has made our protagonist weak day by day. He gets mocked by his wife for conducting those ‘pointless’ rituals which was seriously offending Surendra. He also concludes that, he didn’t get a proper wife or he didn't become a good husband. This made him to get back to his last love interest ‘Vaani’ who was his Aunt’s daughter. Even here he faces serious disappointments.

As the book progresses further, we will realize many facets of these funeral rites, and this must be the take away from the book. The detailed explanation and beliefs behind each practice and tradition has explained pretty neat. There is an absolute twist at the end of the novel, which I am not including in my review. I ask people to read and savor the story.

All said and done, the novel has some weak points. Few of the characters were given little space. The entire novel could’ve been extended to about 30 pages. The background story of important characters was missing or was kept low. The Sanskrit verses and their meaning throughout the novel is a good attempt at explaining few traditional aspects.

Overall, a great attempt by the author and a fantastic rendition. He has a long way to go and this is just the beginning. I hope to see more of such amazing work by this author. Though, this book can be easily considered as a contemporary novel. It doesn't exactly belong to any specific genre. A must read novel. I recommend it for everyone.


My Rating:
5/5

Monday, October 6, 2014

Book Review #39: Tabbaliyu Neenade Magane By Dr. S.L. Bhyrappa

This book talks about the conflict between people who are traditionally grown up, holding up the age old rituals and cultural practices and with the people who are educated with the modern viewpoint of the world. So the story captures this essence of what is morally right and what is scientifically right.

 Author SL Bhyrappa is a true gift to the Kannada literary world. His tales varies from social issues till modern space science. He is the only author that doesn't conform to a specific genre. He writes on many themes and many beliefs. That’s what I liked about SL Bhyrappa Sir. He has surpassed his limits in this particular book ‘Tabbaliyu Neenade Magane’ which can be translated to English as ‘Son, You've become an orphan’.

 The story is very sensitive and controversial. It captures the theme of cow slaughtering versus cow protectors in a small fictitious village. An aged person Kalinge Gowda, who believes that cows are the representation of Gods that descended upon earth. Kalinge Gowda belongs to such a revered family, where a cow has offered herself to a hungry tiger willingly ages back. This cow is popularly called as ‘Punya Koti’. A breed which is believed to be sacred than all other cows. Kalinge Gowda has a grandson Kalinga, who was graduated in Agriculture from the University of USA. Kalinga has married to Hilda, a US citizen. Kalinga has a friend in his village, Venkatramana, a vedic scholar and a middle school teacher who believes in every traditional practices and rituals.

The entire villagers were against the slaughtering of the cows, whether it is aged old or a young one.  Hilda the wife of Kalinga was distracted initially to get adjusted to the villagers. She seems to have lost all her independent life of US after coming to this little village. She has to sacrifice her beef consumption. Married to an Indian man, she found it very hard to get adjusted. Kalinga who was very careful initially tries to win the heart of villagers and his friend Venkataramana. But to his dismay, in whichever way he tries to reconcile with the villagers, it was backfiring. One incident where Hilda killed a cow in her farm and ordered her cook to prepare beef, resulted in the severe repercussions from the villagers, which made Kaling to apologize in front of entire villagers.

The book has this kind of conflicting stories throughout. When Hilda questioned Venkataramana about the animal sacrifices juxtaposing it with the cow slaughtering, she won’t receive a convincing answer. All in all, Kalinga and Hilda felt that they were out casted from the village and felt lonely and rejected. All this made Kaling and Hilda to leave their village once and for all and go back to USA.

The climax part of the novel takes an unexpected turn and leaves it readers with surprise. I feel that’s the best part of the book. I will not reveal that in my review. It has to be read from the book itself. After reading the book, every reader will face with few questions that they couldn’t find answers. What is more important in a society? Upholding the age old practices and thereby respecting our culture and customs or compare every situation with the modern aspects and live according to them? Is banning cow slaughter solves every problem in India? Only time can answer.

My Rating:
5/5