Book Review #31: The Lowland By Jhumpa Lahiri

Naxalism, Life in Post-Independent India, Love story, Brotherhood, Friendship, Marriage, Children, etc.. A book that has so many stories woven into one, but, still it fails to attract you. I was not at all impressed by this book. First of all, its monotonous way of narration is what failed from the beginning. The story became too predictive after first few chapters. The plot deviated from what it was expected to follow.

Jhumpa Lahiri, known for her eloquent style of writing has somewhat failed in this novel. Just to let you know, this is only my interpretation. Many people might have understood this book in a different way. For me, it was way below my expectation from Lahiri after reading The Namesake.

Ok let's get into the review. Why it is not a must read book from my point of view ?. First of all, the plot is too weak. the narration is dull and is is way too slow. Somehow, it took me a while to complete this novel. Not because of 300 odd pages of story, but, because of its way of story building.

The story is all about 2 brothers that were born in the very next year of India's Independence in 1947, in calcutta i.e. today's Kolkata. Udayan the younger one and Subhash the elder one. The stories of their childhood is impressive, as we get to read lots about their tryst for technology, sports, books, chess game, morse codes etc.. Later, what follows after they've grown up, is a complete dry plot.

Udayan was more attracted towards Politics, rather, I can say it as towards Naxalism and not towards the mainstream politics. He gets attracted towards Communist ideologies that were popular during those times of early 50's. He often skips his college to spend time with comrades and listen to their speech all the time. As expected, once after his college he officially joins to the communist group and becomes a Naxalite.

Whereas, Subhash, the elder one, is more attracted towards his studies. He completes his degree and he applies for a postgraduate program in a US university in Rhode Islands. He was majoring in Chemical Industry. He sees his younger brother Udayan growing out to be a Naxalite with his very own eyes and persuades him to get a regular job or go for higher studies. But, Udayan was so adamant in his decisions, he never bothers to listen to Subhash.

Until this part was the interesting section from the book. Later, after few years, Subhash now studying in US, will come to know that his younger brother is married already, his wife is called Gauri. He was shell-shocked to hear this and comes to term with his brother and accepts his new sister-in-law. As the book progresses further, Subhash again receives a letter from Gauri that, his brother, Udayan was shot dead in a combing operation in Calcutta. Subhash returns to India.

As we get to see the plot, now it becomes too predictable. Subhash decides to marry Gauri for the sole reason of not leaving her with his parents who were still not ready to accept her. As the years passed, Subhash becomes the father of Udayan's child that Gauri was carrying. He named her Bela. Here, Gauri was not impressed with Subhash, rather, she wanted to skip from her responsibilities and decides to pursue her education in US and applies for a philosophy degree. From there she decides to leave Subhash and her daughter and she leaves the house forever.

Towards the end of the novel, Subhash, now taking care of Bela and her new child Meghna, decides to get a divorce from Gauri and he writes a letter to Gauri. As expected, Gauri instead of writing back, she heads back to meet Subhash to give her consent for the divorce. There, she meets Bela and her grand daughter Meghna. Surprised Bela, admonishes her mother for leaving her as a child. Disappointed, Gauri heads back to her place. That's it..., their life goes on as it is!!

That's the end of the novel. It is just this much, are we expected to read only this much.??. I was not at all impressed the way it ended. Lahiri would've at least changed something that might have reconciled their family!!. The only impressive thing from the novel is, Udayan's Naxal way of living and going headstrong against the government. Whereas, Subhash's part of the story is dry and dull.

My Rating:
3/5

Book Review #30: The Palace of Illusions By Chitra Banerjee Divakaruni

Who doesn't love Mahabharata ?? An epic of thousands of tales intertwined together in a mesmerizing story. And even more awesome feeling is, when you read the same Mahabharata story in different angles, different perspectives and different dimensions. All in all, a book which is certainly unputdownable. After reading many books on Mahabharata, especially after providing the review of Parva and Jaya in my own blog. I am here to give you all, yet another version of the tales of dice or simply the Mahabharata.

As the title of the book itself says, this story is all about the Illusionating Palace that Draupadi had dreamed off. The title is so apt for this book, since, the main theme of the book revolves around this palace. Divakaruni's attempt of narrating The Mahabharata from Draupadi's point of view is an excellent feat. Keeping Draupadi as the main protagonist of the novel, Divakaruni had achieved full effect the novel for what it meant to be. Loaded with heavy feminist viewpoint, you get to read the complete, different Mahabharata from Draupadi's point of view. Even arranging the chapter names is in a different style, as it is not numbered, rather, it is the theme of the story that she is narrating in that chapter. For example: Chapter name is Fire - it contains the Yagna that Dhritarashtra performs in the name of Rajasuya Yaga.

I am not going to give you all a review of Mahabharata here. That has been told many times over and over again. Here I will highlight the events and actions that unfolds through the eyes of Draupadi.

What was much fascinating was, Divakaruni's attempt of picturising Draupadi or Panchaali (The way she expects everyone to call her) is vivid and full of surprises. Draupadi also enjoyed the name "Sakhi" and "Krishnaa" (the female version of krishna) when Krishna used to call her. Draupadi's childhood is not a regular childhood of any little girl, since, it follows a different route. Draupadi, who was raised by his fond Dhai Ma, had a different view of the world such that, she always opposed the ritual of Women were not allowed to enter the Royal Courtroom, Women were not supposed to study after a certain point, Women had no choice of her own while selecting her groom (Yes, the Swayamvar!!), etc. etc..

Throughout the novel, we can get to see the lost love of Draupadi for Karna. Draupadi always longed for the love of Karna, which is not by compulsion, but by pure love. She had admonished him in the Swayamvar proceedings of his lower birth, not knowing Karna's true birth!!. Almost in every chapter, Draupadi's love for Karna is described very passionately, which is a must read from the book.

Without forgetting, having married off to 5 Pandava brothers, Draupadi had her share of fight or rather doubts against Kunti, her mother-in-law. She had to start her daughter-in-law life afresh in the new house, adjusting to the environments, getting along with people,etc.. You will sure enjoy the regular SAAS-BAHU cat-fights from this novel. When Draupadi learns that, Kunti had approached Karna to reveal his true birth and offered Karna to becomes the Sixth husband of Draupadi, towards the end of the novel!, Draupadi loses her cool and was about to shout at Kunti for not bringing this to her notice!!. This is for sure a spiced up story to read from the book.

What at all a review, if I do not bring the Palace of Illusions ??. This is the main theme or crux of the novel as I said before. What follows after their lac house was burnt and they get their share of barren land Indraprastha to start a life. Pandava's had called Maya to construct a beautiful palace that was never done before and will not be done after. As expected from this women centered novel, Draupadi becomes the chief architect for planning and suggesting what and all to include in this palace. The pillars, The waterfalls, The fish ponds, The rooms, The walls, The paintings, etc.. Everything was done according to Draupadi's instructions, which is the sole reason or the stepping stone for the entire Mahabharata. When Pandava's invited Kaurava's to visit their palace of Illusions, with much to the dismay, when Duryodhan accidently steps on to a pool which was looking like a glass floor, followed by Draupadi mocking him in front of her maid-servants, that led to the game of dice, followed by War of Kurukshetra is all a regular telltale!!.

Surprising stuff which I believe is that author's brought up story is, Draupadi had a boon from Sage Vyasa that, she can visualize the happenings across a far away place. When she was younger, Vyasa had already informed her that, she will be the main reason for thousands of deaths, also, she will get married to 5 brothers, etc.. Even in the war of kurukshetra, Draupadi already knew who Karna was, and she was tempted to reveal this to her husbands, which she didn't do, since, Vyasa asked her not reveal anything until what he wrote already must happen. 2 things we must notice here, First Vyasa giving boon to Draupadi to visualize future but not to reveal anything. And Second, Vyasa had wrote the Mahabharata much before it took place ?? (This is sure a debatable topic)

Towards the end of the novel, all Kaurava's side have been killed and Pandava's side have ruled for several years and it was time to take up the vanaprashta-ashram. 5 brothers along with Panchaali heads towards Himalaya that ascends to the greater heavens. The struggle and the hardship that Draupadi goes through this phase is a treat to read from the book. Because, Dhritarashtra had told his brothers that, none of them will help anyone if they fell down while ascending the himalayas. So, as foretold by the oracles, Draupadi falls much before. But to our surprise, Divakaruni had brought Krishna in this scene, who will lead Draupadi into the safer heaven.

Overall, a fresh aspect, a bold attempt of Mahabharata or I can call it as Panchaali's Mahabharata!!. A section of Krishna teaching Bhadagawad Geeta to Arjun was kept bare minimum, which should've been extended a bit further. Other than that, a must read book for all those historical fiction buffs.

My Rating:
5/5

Book Review #29: Vamshavruksha By Dr. S.L. Bhyrappa

There are few books that questions your own existence and the root of your family.!! Yes, S. L. Bhyrappa had written this novel in the year 1965 which is close to 50 years now and still it is one of the epitome of all his novels put together. Written long ago, this book captures the essence of transformation of families and persons from a traditional Indian background to a modern India and the ups and downs that they face while doing so. Vamshavruksha can be literally translated to english as FAMILY TREE.

In the year 1972 this novel has been adopted as a movie under the same title by one of the renowned directors and a great personality in Kannada B.V.Karanth in association with a popular kannada plays writer, actor Girish Karnad. This movie have won the best direction national award and southern Indian filmfare award. The story is so gripping and it is thought provoking.

As I finished reading this novel, several questions arose within me. Who am I ?, Who are my ancestors ?, What is the purpose of our family tree when we are not even sure of who was the first person from our family ?, Can anybody answer such questions ?, Certainly not. This book captures this very arguments through our protagonists and gives us an amazing literary journey.

This novel captures the tale of two families, Shrotri and Rao households, that captures their journey that spans over three decades. In first few chapters, there is introduction of the characters of these 2 families without any twist. Later what follows in subsequent chapters is almost a biographical journey of Srinivasa Shrotri, his wife, his young widowed daughter-in-law Kathyayini (she plays an important role in this novel) juxtapositioning against the literary journey of Dr. Sadashiva Rao, his wife Nagalakshmi and his younger brother Raja Rao.

The journey of Kathyayini and Dr. Sadashiva Rao from their own perspective is a way ahead of time considering the novel's publishing time, where modernism was not so encouraged by the traditional practitioners. This particular part of the novel explores the love life of Kathyayini with Raja Rao that stood on questioning grounds of morality and cultural impact. Whereas, Sadashiva Rao's tryst with Karuna Rathne a research student of him, whom he marries on the sole purpose of completing his research books, after realizing he alone cannot complete his books.

The essence that these stories are narrated by Bhyrappa is a treat to read from the book. Through his characters he explores the age old fight between social norms versus personal happiness, morality versus individual choice, cultural tradition versus modern aspirations, family values versus individual choices, etc..etc..

This book brings us, the readers, into a debate on what is most important in our life. Holding onto the moral values or just be happy with the way we wanted. The re-marriage of Kathyayini with Raja Rao is a phase, where readers will question themselves on what she did was right or wrong. It also brings us to debate on the moral policing by Srinivasa Shrotri, who questions his daughter-in-law regarding her marriage and why its against the traditional social pattern, he also questions her whether she should take the kid along with her to her new house, by citing a reason that, kids actually belongs to the family first and then to the parents. Kids alone can represent the continuation of the family tree and when these tree breaks by a non-acceptable marriage, then it will be a bad name on their family and not on parents. Hence, it is left to Kathyayini's choice whether to uphold the accepted social pattern or to continue with her own decisions.

The ending is a true realization. The realization of Srinivasa Shrotri about his true birth and he himself doesn't belongs to the right family. Kathyayini realizes that, she shouldn't have remarried again just for the material pleasures that has no purpose after sometime. Whether Shrotri is right in terms of his traditional upbringing or Kathyayini is right in terms of her wishes is a never ending dilemma. Imagination left to the readers. Readers can introspect themselves which one is more important.

For sure, author SL Bhyrappa focuses on the moral decisions that people make or the social implications of the same for others. This is a must read book for everyone including the new generation of people. And must read for those, who justify the moral policing based on traditionally accepted societal patterns!!.

My Rating: 
5/5